Baoyang Chen is an artist, curator, and researcher working at the intersection of art and technology. He holds dual master's degrees from Columbia University and the School of Visual Arts, New York. He currently teaches at the School of Sci-Tech Arts at the Central Academy of Fine Arts (CAFA), and concurrently serves as Director of Beijing's Advanced Visual Laboratory for AI & Digital Art and Executive Director of the Science and Art Center at the Shenzhen Institute of Advanced Technology, Chinese Academy of Sciences. A pioneering practitioner of deep integration between science/technology and artistic creation, he is recognized as a leading young figure in the tech‑art field. His works—using cutting‑edge media such as digital technologies, biotechnology, and artificial intelligence—have been widely acclaimed, earning honors including the Porsche Young Artist Award, the OPLINEPRIZE, and the Hyundai Blue Prize for Curating.

At present, his research focuses on emergent interactions among multi‑agent systems in AI, examining the social implications of technology as ideology and new ecologies of human-machine symbiosis. He has published multiple international academic papers in this area (SIGGRAPH, SIGGRAPH Asia, IJCAI, ACM MM, ICME and etc.) and served as lead author of the AI+ART White Paper published by the Chinese Association for Artificial Intelligence (CAAI) and China Science and Technology Press. Chen's artistic footprint spans the globe: he has mounted solo exhibitions at venues including the New Museum (New York) and the Zhejiang Art Museum, and has served as chief curator of the Asia Digital Art Exhibition for 6 consecutive years.

陈抱阳：科技艺术家、策展人及青年学者。他拥有哥伦比亚大学和纽约视觉艺术学院双硕士学位。现任教于中央美术学院科技艺术学院，兼任北京市视觉高精尖人工智能与数字艺术实验室主任，中科院深圳先进技术研究院科学艺术中心执行主任。他是科学技术与艺术创作深度融合的先锋实践者，作为科技艺术界的青年领军人物，其运用数字技术、生物科技、人工智能等前沿科技作为创作媒介的作品广受赞誉，曾获保时捷青年艺术家、奥普来数字奖、现代汽车BLUE PRIZE策展奖等殊荣。目前，他专注于人工智能系统中多智能体的涌现性互动研究，探讨技术作为意识形态的社会影响与人机共生的新生态，已在此领域发表多篇国际学术论文，主笔并有中国科学技术出版社出版了《中国人工智能学会 —AI+ART》白皮书。他的艺术足迹遍布全球，曾于纽约新美术馆、浙江美术馆等多地举办个展，并连续6年担任亚洲数字艺术展主策展人。